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FUJIFILM GFX 100 Medium Format Mirrorless Camera – Body
Mfr SKU: 600020970
- 102MP 43.8 x 32.9mm BSI CMOS Sensor
- Removable 5.76m-Dot OLED EVF
- DCI 4K30 Video; F-Log Gamma & 10-Bit Out
- 5-Axis Sensor-Shift Image Stabilization
- 3.76m-Point Phase-Detection Autofocus
- 16-Bit Raw Output, Multi Aspect Ratios
GFX 100 combines decades of experience, knowledge, and research into a mirrorless large format camera that redefines the boundaries and limitations of how photographers and filmmakers creatively express themselves. By raising the bar in large format auto-focus performance, being the first large format system to have in-body stabilization, and providing filmmakers with a way to push the limits of wide format 4K/30p motion capture, GFX 100 is not only reshaping how images are being made, but it is also redefining large format for the world’s next generation of image makers.
Resolution Redefined: The FUJIFILM GFX 100 pairs a newly-developed back-illuminated 102MP imaging sensor with our blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing color fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the color filter array. This reduces noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colors are near eliminated through the omission of an optical low-pass filter.
Enhanced Stability When it Matters: High-Resolution Image Sensors require a particularly high level of stability to ensure image clarity and sharpness. Small vibrations can often cause interruptions during the capture process and may even lead to soft and out of focus images despite the use of a tripod. GFX 100 addresses these critical issues by providing filmmakers and photographers with built-in 5-axis image stabilization. A dedicated dual processor works together with gyroscopic accelerometers to achieve sensor stability with speed and precision to provide up to five-stops of image stabilization, even if the camera is fitted with a non-optically stabilized FUJINON lens. Precise large format capture is now feasible in low-light conditions or when shooting handheld.
Practical Auto-Focus for large format: Compared to traditional large format digital systems, GFX 100 raises the bar in auto-focus performance by utilizing AF phase detection pixels across most of the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. At approximately 100% coverage, increased auto-focus performance with speed and accuracy is now a complete reality for photographers needing optimum performance in subject tracking, face/ eye detection and low-contrast environments.
Pushing Creative Boundaries for Filmmakers: While digital cinema has pushed into the world of larger format (35mm x 24mm), limited options still exist for creatives interested in big sensors. With a sensor size of 43.9mm x 32.9mm, GFX 100 offers filmmakers a viable alternative in achieving their creative visions. The new sensor and processor combination support 4K video recording at 30p/10bit with a uniquely cinematic, large format look for cinematographers who want exceptional control over depth of field and film-like tonality. With the ability to apply Fujifilm’s highly respected Film Simulations, record in F-Log Rec 2020, and capture 10-bit, 4:2:2 uncompressed footage through the HDMI port, GFX 100 should certainly be coming soon to a screen near you.
A Legacy in Color Science: FUJIFILM’s legacy in color science has helped create one of the most widely-acclaimed digital color processing engines in the world. Benefiting from 85 years of research and development in color imaging, the GFX 100 utilizes this same venerated color processing engine found in other X Series and GFX digital cameras. Offering 16 Film Simulation modes gives photographers and filmmakers a way to match their artistic intent much like they do when choosing purpose-specific photographic emulsions. This not only builds upon Fujifilm’s heritage and color science know-how, but also exposes a new generation to the aesthetic benefits of Fujifilm’s contributions to the photographic arts.
Tethered Support for Capture One Professionals Everywhere: Tethered capture is a necessity for many professional large format camera users and the GFX 100 works with Capture One software to help photographers create, manage, and maintain a streamlined workflow from capture through to delivery. With Capture One, raw Fujifilm images can be processed quickly with the option to apply Fujifilm’s unique Film Simulations during file conversion for even greater artistic possibilities.
11,648 x 8736
1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
43.8 x 32.9 mm
|Image File Format||
JPEG, RAW, TIFF
Focal Plane Shutter
Mechanical Shutter 1/4000 to 4 Second in Program Mode 1/4000 to 30 Second in Aperture Priority Mode 1/4000 to 3600 Second in Manual Mode 0 to 60 Minute in Bulb Mode Electronic Shutter 1/16000 to 4 Second in Program Mode 1/16000 to 30 Second in Aperture Priority Mode 1/16000 to 3600 Second in Manual Mode 0 to 60 Minute in Bulb Mode Electronic Front Curtain Shutter 1/4000 to 4 Second in Program Mode 1/4000 to 30 Second in Aperture Priority Mode 1/4000 to 3600 Second in Manual Mode 0 to 60 Minute in Bulb Mode
Average, Center-Weighted Average, Multiple, Spot
Aperture Priority, Manual, Program, Shutter Priority
-5 to +5 EV (1/3 EV Steps)
Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Up to 5 fps at 102 MP for up to 14 Exposures (Raw) Up to 5 fps at 102 MP for up to 41 Exposures (JPEG) Up to 2 fps at 102 MP for up to 20 Exposures (Raw) Up to 2 fps at 102 MP for Unlimited Exposures (JPEG)
MOV/H.265 4:2:0 10-Bit DCI 4K (4096 x 2160) at 23.976p/24p/25p/29.97p [100 to 400 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24p/25p/29.97p [100 to 400 Mb/s] DCI 2K (2048 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p [50 to 200 Mb/s] Full HD (1920 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p [50 to 200 Mb/s] MOV/H.264 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.976p/24p/25p/29.97p [100 to 400 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24p/25p/29.97p [100 to 400 Mb/s] DCI 2K (2048 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p [50 to 200 Mb/s] Full HD (1920 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
|External Recording Modes||
4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p
Up to 60 Minutes for DCI 4K (4096 x 2160) at 23.976p/24p/25p/29.97p Up to 80 Minutes for DCI 2K (2048 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p
Auto/Manual: 200 to 12800 (Extended: 200 to 25600)
Built-In Microphone (Stereo) External Microphone Input (Stereo)
|Audio File Format||
Linear PCM (Stereo)
Auto and Manual Focus
Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Phase Detection: 3760000
|Viewfinder Eye Point||
-4 to +2 m
3-Way Tilting Touchscreen LCD
First-Curtain Sync, Hi-Speed Sync, Manual, Second-Curtain Sync, Slow Sync, TTL Auto
|Maximum Sync Speed||
1/125 Second (Focal Plane Shutter)
|Dedicated Flash System||
|External Flash Connection||
Hot Shoe, PC Terminal
|Memory Card Slot||
2 x SD/SDHC/SDXC
2.5mm Sub-Mini, 3.5mm Headphone, 3.5mm Microphone, DC Input, HDMI D (Micro), USB 3.0, USB Type-C, X-Sync Socket
14 to 104°F / -10 to 40°C
10 to 80%
2 x NP-T125 Rechargeable Lithium-Ion, 10.8 VDC, 1230 mAh (Approx. 800 Shots)
|Dimensions (W x H x D)||
6.15 x 6.44 x 4.05″ / 156.2 x 163.6 x 102.9 mm
3.08 lb / 1400 g (Body with Viewfinder)